Sunday, December 8

No aesthetic goals, Postmodernism and Studio Alchimia

We are almost finishing the school year,  during one of our last classes we were learning about post modernism and the Italian avant garde, and a phrase catch my attention “ in a global, pluralist culture, there were no agreed aesthetic goals” . Postmodernism was all about the psychological relation of people with design and architecture, we saw a few examples of symbolism in architecture, and also the re integration of old movements to regain the connection lost with modernism , we started seeing a lot of mixtures of styles, almost like they had used everything they could and integrated it to design and architecture with the only purpose of remembering and regaining that connection and  although the intention in the representation of this was totally achieved , aesthetic standards where put aside.

Aesthetic, “good taste”, good design, standards, all where associated with modernism and when the movement died people see those terms with disgust, but why? I personally think that design must have certain parameters, if not designs becomes art, not that art is bad, but good design must appeal to people, must provoke people to “want it”, the desire, while art in my opinion has one and only finality :expression,  either  of opinions  feelings, and others. Both can be related but they do not have  the same goal.
Following this we came to the Italian avant garde, and what did they want ? : Exactly the opposite, they did not want to be related with aesthetics, standards, materials, or anything they wanted freedom to express and create. During finals of 1960 and the 1970’s different groups where formed, Archizoom, Superstudio , UFO, and finally the one that caught my eye Studio Alchimia.
There I was sitting on my desk watching the slides of the presentation, one after the other it just didn’t make sense. It  reached the point where I was so confused that I didn’t even know what was my opinion about it. Founded by the distinguished Italian designer and architect Alessandro Mendinni in 1976, colours, patterns, forms, and creativity where terms related to it, but something was mentioned about it during class, Studio Alchimia never reached commercial success.

Then I went back to the phrase in class “ In a global, pluralist culture, there were no agreed aesthetic goals” … So if supposedly  there were no aesthetic goals then why Studio Alchimia didn’t reached success? . I think there is a need for aesthetic goals, a guidance, to follow a line; for example in materials, they mixed a lot of inexpensive with expensive materials, which at the same time made their designs unreachable for most people. They clearly were following the principle   of no aesthetics but they didn’t reach success because it didn’t appeal to people, in the way of desire( the look of it) and closeness , instead it did made a huge impact on the world of design because of the power of representation and uniqueness of each piece, yet again it was so far from what people would want for their homes that passed exactly from being design to art pieces.


I found a few pictures online that represent this opinion

In both of this we see a cabinet and a book case respectively, but do they look like them? Which is the aesthetics of them?, why do they look like sculptures? Why is the bookcase without books or the cabinet without objects on its shelves?. The answer is that there is simply not an specific  aesthetic, no taste standard, just pure  design process and experimentation, creativity was there main goal and they achieved this with great success, design without judgments according to some, but I don’t think that actually exist, in fact this may be another of the factors related to their pour commercial success. Judgment is always present, present in this post, and present in the people that will read this and have their own opinion, like the one that I am expressing right now .the Alchimia group didn’t follow any standards, it was pure expression and for me that is more close to art than design. I wouldn’t use this pieces for what they were design for, I would not put books, or objects instead I would exhibit them. And that right there is a judgment already.

F!

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